The biomorphic shapes

within the proposed piece ‘The Passing of Time’ are faintly recognisable fluid, maternal almost embryonic forms.The surface and texture of the sculpture mirror how we act as individuals and interact with the world around us. Superficially everything on the surface is fine, beautifully calm and assured, but underneath the smooth veneer there may be uncertainty, turmoil and fragility.


The reverse of this piece is roughly textured aggregate.


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