Establishing Form

In previous works, objects and projection were temporal. Drawings were the only remaining traces of these environments, illustrating their dramatic deterioration. Using highlight, shade and navigational lines, these drawings have helped to establish the three-dimensional structure for the Broomhill maquette.


Observing the impact of negative space in Manet’s Music in the Tuilleries, in particular the etching The Balloon and Michael Andrew’s Light series, I hope that the isolated shapes I have designed will make momentary projections tangible and persistent.



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